FATMF. Feminism, fandoms, fashion, art, whatever I feeel like posting.
I am a genderqueer feminist. White, neuroatypical, butchy, vegetarian, writer, pagan, currently studying childcare. Ze/zir pronouns.
Everyone is welcome on my blog except relatives and exes.
When I look back at the first night of the Stonewall Inn riots, I could have never imagined its future importance. The first night played out no differently from previous riots involving black Americans and white policemen. And so, too, did its being underreported. But I was there.
On the first night of the Stonewall riots, African Americans and Latinos likely were the largest percentage of the protestors, because we heavily frequented the bar. For homeless black and Latino LGBTQ youth and young adults who slept in nearby Christopher Park, the Stonewall Inn was their stable domicile. The Stonewall Inn being raided was nothing new. In the 1960s gay bars in the Village were routinely raided, but in this case, race may have been an additional factor, given the fact that so many of the patrons were black and Latino, and this was the ’60s.
However, today, African-American and Latino trans communities are relegated to the margins of Greenwich Village, if not expelled from it. These communities nonetheless force their way into being a visible and powerful presence in our lives, leaving indelible imprints while confronted with not only transphobia but also “trans-amnesia.” The inspiration and source of an LGBTQ movement post-Stonewall is an appropriation of a black, brown, trans, and queer liberation narrative and struggle. The Stonewall Riot of June 27 to 29, 1969 in Greenwich Village started on the backs of working-class African-American and Latino queers who patronized that bar. Those brown and black LGBTQ people are not only absent from the photos of that night but have been bleached from its written history. Many LGBTQ blacks and Latinos argue that one of the reasons for the gulf between whites and themselves is the fact that the dominant queer community rewrote and continues to control the narrative of Stonewall.